I was
uncomfortable reading Under My Skin by Orville Lloyd Douglas.
Published in May 2014 by Guernica Editions, this book of poetry is a brash and
bold interpretation of Douglas’ thoughts, feelings, and emotions in regards to
life. Life as Black man. Life as a Homosexual man. Life as a Canadian man. Life
as a Thinking man. Life as an Educated man. His life, his ideals, and his
creative constructions, through his words and poetic license.
I was uncomfortable, because I
came into reading this project with a pre-conception of Mr. Douglas, based on a
CNN appearance I remembered of him being interviewed in November of 2013 with
journalist Don Lemon. At that time, he was defending his article “Why I Hate
Being a Black Man” and the conversation was shocking to me, because I had yet
to hear a black Canadian man speak so honestly about his insecurities on an
international platform.
At
the time, Douglas mentioned that racism was handled carefully in Canada. He was
speaking about an experience, an environment, and from a lens that I was
supposed to be familiar with. He came from Jamaican parentage … so did I. He
was university-educated, and a critical thinker … as was I.
So
coming into this collection of poetry knowing that on some level I had a shared
cultural and community background as Douglas, I was still very uncomfortable
reading his personal perspectives and phrases. Particularly because he was
introducing a lifestyle and set of thoughts that were so foreign to me—or
anyone I was in close communication with—that it took me a minute to adjust to
his musings.
I
was uncomfortable, because I realized … perhaps this is what others may think
of “Urban” writing to some extent. They may be so unfamiliar with some of its
elements and realities, that it might be offensive. Disturbing. Unrealistic.
Unsettling.
Douglas
has been known to explore issues of homosexuality in his writing, particularly
in the black community. His sentiments
in the “Why I Hate Being A Black Man” article are elaborated on in this book of
poetry, as you can see that he truly feels that black men are subjected to a
life of misery and shame, often faced with self-hatred, and unfairly
stereotyped.
Douglas
does not like rap music, nor sports. He expressed that his dark skin, broad
nose, and thick lips were his “personal prison”…and while the article is not
directly related to the book, I found that the ideals were definitely confirmed
through his poetry.
In
the section ILLUSIONS OF CANADA, Douglas reflects on the destruction of
Africville in Halifax; the treatment of black hockey players in Alberta, and
growing up in a home filled with immigrant dreams. He expresses his experiences
having his black authenticity questioned, his “Jamaican-ness” questioned, and
the acceptance of his fellow brothers. He states: “My nigga, why do you care?
You going to lecture me?” in words that clearly show that his acceptance came
more from his white counterparts in the city, than those he shared racial and
cultural similarities with.
Continuing
to discuss his country, he compares the CN Tower to the black penis, calling it
an “exotic jungle” and relishing in its novelty to some … behind closed doors.
Douglas has no modesty in his thoughts, when he declares that “Canada is Shit,”
expressing his aggravation with the police, and venting on the perceived
brainwashing, false praises of diversity and acceptance, and admits that he
refuses to pledge allegiance to a White Queen, a White Mayor, and the Chief of Police/Hypocrisy.
Again, Douglas is honest and upfront with his feelings not only about race, but
about his patriotism as well.
Again,
discomfort because although many may share these sentiments about the Queen and
Police Chief, few will openly speak, print, or publish these thoughts.
In
the segment called THE GOSPELS, Douglas goes into his past as a choir boy,
expressing “terror behind the oak doors,” and a Christian upbringing. Issues of
self-hatred, and physical cutting are mentioned … being educated with no
access, and contemplations of suicide. There is a sense of hopelessness, and as
each poem unfolds, the levels of frustration become more evident, and the root
of the pain is clearly outlined.
A
part of this pain is in the form of a love affair that didn’t have a favourable
end result. While one can assume these are personal stories of Douglas’, they
surely also account for situations and difficulties expressed by others. In
descriptions of “Vikas” there is a pain and heartbreak of a difficult
relationship, that never had the opportunity to flourish as expected.
With
Vick, he describes an exotic mixing of cultures, between the East and West
Indies, a combination of religious expectations, and an erotic encountering
between secret lovers. You can feel the longing for the relationship with Vick,
and there are series of sexual descriptions of rough African encounters, wet
dreams, and physical conquering. A heartbreaking tale … while the narrator is
comfortable expressing his homosexuality, Vick, unfortunately, is not, and
moves
The
themes of patriotic disappointment, unacceptance from the black community,
romantic longing, and religious disappointment (I would not even feel
appropriate repeating the sexual acts that were related to Jesus in poetry…I
can’t do it!) were consistent in this book, as it painted a picture of a
frustrated young man with extreme awareness of his surroundings, of irritated
perceptions of his reality, and of a fierce bravery and boldness in the
reporting of events, whether fictional or actual.
So
yes, I was uncomfortable. Extremely. But I have to commend Douglas for speaking
his truth with such conviction. There was no fear in these words. No holds
barred. No apologies. No ambiguity. He stood firm in his truth, and
communicated his realities as such. He used language and emotion, and put
together a collection of poetry that spoke so specifically to his experience,
and most likely will speak directly to a demographic of urban Canadians who are
encountering, have encountered, or will encounter similar ideals,
discriminations, or hopes.
I
realize I cannot pass judgement on another writer for speaking their version of
reality, and the uncomfortableness experienced with my Jamaican-Canadian
brother, is probably for my own good and enlightenment.
Not
everyone is going to share respect for the Queen, successful open heterosexual
relationships, and love for the police. Not everyone is going to accept the
structures of culture and society around them. This is apparent … yet sometimes
forgotten. I shouldn’t be uncomfortable reading a man’s story (especially since
he is not the only man with these thoughts), which means that I am not exposed
to enough of these thoughts. This perspective has been hidden from common
public discourse, and the realities of Douglas’ chosen lifestyle, has not yet
been normalized enough.
I
commend Douglas for standing in his truth, and for Guernica Editions for
publishing this truth. It may be uncomfortable for me, but ground breaking and cathartic for another reader. It will
be inspirational to many, and revolutionary to others. It will be eye-opening
to most, offensive to some, but is a step in the right direction of celebrating
various experiences, and including all voices and perspectives in the dominant
cultural conversation. Even if it initially makes us uncomfortable to digest … it
won’t forever. It shouldn’t for long.
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